ZotWeb	article-journal
Src Url	Edmonds (2002)

The exhibition Constructs and Re-Constructions provided a survey of the author's artwork and formed the basis for this paper. It included four prints, consisting of notes based on early documentation, representing four different conceptual stages in using computer technology. As each is discussed in turn, it is shown that the computer provides a significant enhancement to our ability to handle and consider the underlying structures of artworks and art systems in the many forms that they may take. In the work discussed, while the conceptual developments are the key issues, the role of the technology in encouraging, enabling and inspiring them has also been central.

---

Structure in Art Practice: Technology as an Agent for Concept Development

Citer: (Edmonds, 2002)

FTag: Edmonds-2002

APA7: Edmonds, E. (2002). Structure in Art Practice: Technology as an Agent for Concept Development. Leonardo, 35(1), 65–71. https://doi.org/10.1162/002409402753689344

Des lois font que nous faisons nos choix en créant.

Aesthetic understanding, if we put it in these terms, comes not in understanding, for example, the color patches used in a work, but in understanding the underlying laws that led to their selection.
UnderlyingStructure | ArticleAgent

[...] the computer provides a significant enhancement to our ability to handle and consider the underlying structures of art-works and art systems in the many forms that they may take.

Habileté à gérer la structure sous-jascente d'un travail artistique est critique et c'est ce que l'ordinateur fourni à l'artiste.
ArticleAgent

---

---